Architecture:

Cleydael was built over a four year period (1855-59) by the Stuart family's slaves. It is extremely well constructed and carefully designed, a true testimony to the craftmanship of the enslaved artisans who built it. The architect is unknown and it may have been designed partly by Dr. Stuart himself, presumably in collaboration with his building foreman. Its external appearance is similar in style to Cedar Grove, the Stuarts' older (1840) main house, which is also larger and in brick. Cedar Grove was also built by Stuart slaves and it's probable that at least some of the same artisans were involved in both projects.

The style of the house is broadly late Federal with Greek Revival touches, a somewhat outmoded style for the era in which it was built. To a large extent, this might reflect the Stuarts' conservative tastes and the fact that they were both middle aged when the house was built. However, variants of this style, as "farmhouse vernacular" remained popular in Virginia well into the 20th century. The simple but elegant Greek Revival style porch on the back (see right) originally had a twin on the opposite side, until replaced by the current wrap around porch around the turn of the century. The current back was originally the front elevation.

The house was built to be as cool as possible in summer. It's unusual "T" pattern of halls was designed to provide cross ventilation to catch any possible breeze from any direction. The downstairs rooms all connect to adjacent rooms with parallel doors, also to encourage air circulation. Located in a shady, wooded spot, the house has relatively high ceilings (11 feet on the ground floor and 10'4" on the second floor).

The house measures approximately 50 feet wide x 28 feet deep and has five bays, with windows over the front and back doors. There are no side windows in the original house. There is no basement, but the crawl space is quite deep (ca. 4 feet). There is a trap door into this crawl space from the Doctor's office, potentially handy in case the Yankees arrived and valuables needed to be hidden. There is a chimney at either end, built flush into the wall in a style unique to eastern Virginia and Maryland and Delaware. The exterior panelling is constructed of wide lapped boards of oak. All lumber used in the house came from the plantation.

The house has fewer rooms than many houses of similar dimensions. This may also have been to promote the free circulation of air, and also may have reflected the fact that the Stuarts had a large family. The downstairs rooms consist only of two large rooms -- parlor and dining room -- of identical proportions (approx. 19 x 19) on opposite sides of the large central hall, which is large enough to be a room in its own right (12 x 29) and indeed is the dominant "room" in the house. The top bar of the "T" hallway arrangement ran through two much smaller (9 x 19) rooms on the opposite side of the house, also symmetrically arranged -- a large stair hall, and opposite it, a long narrow room that functioned as Dr. Stuart's office. This room was partioned into two smaller rooms during the Stuarts' ownership, with the outer portion functioning as the Doctor's waiting room and the back portion his private office. This partition was removed early in the 20th century during the Richardson's ownership.

The mouldings both downstairs and upstairs are very simple, reflecting that this was a house built not for "show" but for comfort. The main interior architectural feature is the wide mouldings around the windows, in the Greek Revival taste. The parlor and dining room have matching wooden mantles, carved with a simple paneled design. Interestingly, the mantles in the two bedrooms upstairs are more ornate. The mouldings in the parlor are very simple, consisting wholly of narrow and quite plain crown moulding. The dining room is slightly more elaborate, with the addition of a chair rail, which might or might not be original. The doctor's office has a picture rail, as does the large upstairs bedroom over the dining room.

The upstairs floor plan nearly mirrors the ground floor, with two large bedrooms and one long narrow one which was called the "trunk room" in the Stuarts' era. The area upstairs over the large central hall was divided into two, with a (ca. 12 x 14) bedroom (now the bathroom) in the back portion and the front portion serving as a sitting room. The current bathroom has vestiges of an early stencilled border on the floor. The floors throughout the house are wide planked heart pine, with the exception of the third floor, which is cedar.

The upstairs landing has a doorway between it and the sitting room, so that drafts can be closed off if wished. From this landing leads the stairs to the third floor, which are boxed in at the half landing with a rustic door. The third floor is a large unpartitioned space and was probably a sleeping area for the Stuarts' two sons. The floors are not typical semi-finished attic floors but are nicely finished, tightly fitted cedar boards. Only the side walls are plastered, perhaps reflecting that the house was meant to be used in the summer when insulation was less of a concern than ventillation. The ceiling height is 11 feet into the gable point, quite high for an attic and the crossbeam is 7 1/2 feet high. The roof timbers are aromatic cedar, giving the third floor its own special charm.

The lean-to kitchen wing is a later addition, ca. 1900, with the screen porch probably added about 20 years later. We have obtained permission from the Virginia Department of Historic Resources, which holds the easement on Cleydael and from King George County zoning authorities, to extend the kitchen wing into a kitchen/family room combination, rebuilding it in a scale and style more sympathetic to the main house.

Although the house retains most of its original plaster, there are no clues as to what the original interior paint colors might have been or any surviving wallpaper. Perhaps this was removed during the restoration process or by earlier owners or tenants. We also do not know if the house was originally painted white. In the 1937 WPA historic inventory, the photograph shows the house painted a medium to light color which photographs as gray.

Outbuildings and Land:

Cleydael was originally called the "Neck Quarter" plantation when it was sold to Dr. Stuart in 1845 by Nathaniel Hooe. There may have been an earlier house on or near the site of the current house, or the "Neck Quarter" farmhouse may have been elsewhere on the 3000 acres.

No outbuildings survive from the Stuart era. The barn, which we had originally hoped might be contemporary with the house, turned out, upon inspection, to be much later ca. 1930s, as all the nails in it were cut wire and the boards all sawn with a circular saw except for a few chestnut boards in the open section which look like they may have been salvaged from an earlier structure. Because of safety and liability issues we regretfully had to demolish it as it would have cost over $100k to restore. Instead, we have salvaged many of the materials and hope to rebuild it at some stage.

An early to mid 20th century carriage house/garage collapsed in the late 1980s. The only other outbuilding upon our arrival as a ca. 1960s composition board well house, now rebuilt in a more sypathetic style.

In its heyday, Cleydael would have had a separate summer kitchen (there is no basement in the house for a winter kitchen and this was a summer home), and probably a smoke house and wash house in addition to tenant cottages.

During the Richardson family's ownership, (1911-1976) there was a four room tenant house on the property, and there were also, prior to the building of the subdivision, two small tenant houses near the present subdivision entrance. The buildings probably dated to the Civil War period and may have been the cottage of Julian and Patsy Dixon, Dr. Stuart's manservant and the family cook. had still been standing nearby as late as the late 1990s. The cottage of William Lucas, the free black waggoner neighbor at whose house Booth and Herold spent the night of April 23, 1865 was demolished sometime ca. 1930 and was located further down the present-day Rt 206.

Eventually, if permission could be obtained, we would like not only to replace the barn, but also to build a small reproduction summer kitchen and smokehouse, particularly if we can determine where the originals might have been located. This would be useful for interpretative purposes as at least one account (Philip Van Doren Stern) describes Booth and Herold as having been fed in the kitchen rather than the main house.

Our first project along these lines was the construction of a reproduction tobacco barn, built for the recent National Georgraphic television program on John Wilkes Booth, in which Cleydael portrayed the Garrett farm where Booth was corned and killed. Our documentation was contemporary engravings of the capture of Booth (for which none of the artists actually saw the Garrett barn!) and photos of surviving barns from Tidewater Virginia and Maryland.

In the meantime, the outbuildings we have added are mostly modern -- a stable complex for our horses, storage sheds for farm equipment and the like.

The original Neck Quarter / Cleydael landholding had consisted of 3000 acres. It remained the same size throughout the ownership of Dr. Stuart, his daughter and grandson. During the Richardson's tenure (1911-76) about 1/3 of the land was sold off, so that by the time Mrs. Richardson died, Cleydael consisted of 900 acres. That was its size when it was subdivided by the Cleydael Limited Partnership, with a little over 12 acres begin allocated to the Cleydael farmhouse itself. Unfortunately, it is surrounded by "executive homes" subdivision and no longer retains its own road access to Rt 206. However, the modern world is well concealed from the front with a tall screen planting of leyland cypress trees. There is about 4 acres of pasturage in the front yard, where the horses will be kept. The house and its front back and side gardens take up another 2 acres or so. Beyond the back yard is about 6 acres of woods. Most of the wooded area is heavily sloped, leading to a marsh at the bottom of the property and Peppermill Creek. The Upper Machodoc Creek runs through the original Cleydael property but not the current 12.04 acre plot. The woods would make wonderful riding and nature trails and that's what we'd ultimately like to do.

Plans for the small arable section of the land not being used for horse pasture included growing heirloom variety apples and vegetables and herbs documented as having being grown in Tidewater Virginia in the 18th and 19th centuries.


Cleydael is a private home. please respect our privacy and do not visit without an invitation. (Unless, of course, you're somebody we know, in which case y'all come!!
-- but phone first and give us a heads up and be expected to be handed a paint brush!)

Cleydael's History:
History & Owners |  Architecture | The StuartsWhat's in a Name? | | Calverts & Stiers
Lee Connections | Other Relations | African Americans | Booth at Cleydael
Jo-Anne Coe: In Memoriam
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